January 27, 2021

debussy harp concerto

About. Formally the work is almost a textbook example of an early Mozart concerto. GLIERE / DEBUSSY / MOZART (Artist) Format: Audio CD. Ravel wrote the Introduction and Allegro for Harp, Flute, Clarinet and String Quartet quickly before embarking on a long summer holiday. Nevertheless traces of the ‘A’ section are to be heard in sections C and D, so the music seems in any case to honour the rondo principle of recurrence. Gatti, the orchestra, harpist Ann Hobson Pilot and pianist Evgeny Kissin rehearsed for two more hours in New York on Thursday. The piece concludes with a spirited, good-humored jab. Ravel and both Debussy works recorded and supported by the University of New South Wales. The Anadante second movement, begun by a brooding, low-lying passage in the strings, is cast as a theme and variations, the rather plaintive theme being simply announced by the harp. If you’re a genius like Mozart (and Mozart literally was), you take the most relaxing instruments – the flute and the harp – and bring them together in one relaxing concerto movement. We’ll finish with the rhythmic and percussion-filled Harp Concerto … We may add the bardic traditions of using it as an accompaniment to folk ballad of epic poem. In addition, it is an instrument that can adapt itself to a multitude of musical situations—to state a melody, to thread its way through passages of polyphony, to become a harmonic accompaniment, and even to rival keyboard instruments on the level of virtuosity. The site is also available in several languages. This album highlights the extraordinary talent of the Official Harpist to H.R.H. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Concerto for Harp and Small Orchestra, H. 123 (1916/1919) John Thomas Two harp concertos, including the Concerto in E flat, the only work by a Welsh composer to be performed (1852) during the first … the Prince of Wales, Claire Jones. A Dream for alto flute and harp (1994): Geoffrey Dana Hicks About Leone Buyse In September, 1993, Leone Buyse relinquished her position with the Boston Symphony Orchestra to become Professor of … The Romantic Harp. His flute had an extension that allowed him to play the low notes D flat and C, not then available on a normal flute, and this is the only flute work in which Mozart calls for those pitches. Finest of all are the two Debussy pieces, which Jones floats aloft on warm musical breezes, relishing their rippling iridescence with alluring subtlety. Whatever the structure, the effect is the same—that of a joyous succession of memorable tunes. At 1:12 listen to the striking blur of color that emerges from this unique combination of instruments. Introduction and Allegro for Harp Flute Clarinet and String Quartet, Bach’s Toccata and Fugue in F Major: Delightfully Deceptive, Bach’s Prelude and Fugue in B Major, BWV 868, Diego Ares, “Der Rosenkavalier,” Renée Fleming, and the Passing of Time, Stravinsky Meets Tchaikovsky: Reimagining “The Sleeping Beauty”, Tchaikovsky’s Serenade for Strings: Music from the Heart, Mozart's Symphony No. The small orchestral forces (there are just two oboes, two horns, and strings) the concerto is well suited for the intimacy of salon performance. Harp Concerto: II. A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. Pleyel’s harp had two intersecting rows of strings, providing a string for each chromatic note. It has always astonished me it isn’t better known. The finale relies on themes with a folk flavour, culminating in an excitingly brisk coda … splendidly celebrating the artistry of Claire Jones' (Gramophone), 'Few artists have been more active in the recording studios in the past year than Claire Jones, the official harpist to Princes Charles. In addition to performing and teaching, Timothy Judd is the author of the popular classical music appreciation blog, The Listeners’ Club…. The way that the themes and dynamics ebb and flow may remind us of Debussy’s La Mer, on which he was at work when he wrote the Danses. While Mozart's K 299 is a youthful work, and Debussy's Danses of his early maturity, the Harp Concerto by Reinhold Glière is a production of its composer’s old age. To some extent this is also Mozart’s approach—especially in the patterns of five and ten notes that occur in all three movements (harpists are generally more comfortable with four-note and eight-note patterns)—but there are many places in the concerto where it is clear that the distinctive timbre and sonority of the harp was very much in his mind. The waltz tempo gives it rhythmic stability, but here the interplay between harp and strings is much more capricious than in Danse sacrée. As the movement progresses the soloists sometimes play with the orchestra, and sometimes form an unaccompanied duo while the orchestra is silent. In fact one might have expected that the commission would hardly have inspired Mozart, who professed to dislike both solo instruments (there is no other work by Mozart featuring a harp) and had a low opinion of French musical taste. © 2021 The Listeners' Club. Glière is best known for such vivid orchestral scores as his massive Third Symphony (Ilya Murometz) and the colourful Soviet ballet The Red Poppy, but he wrote works in a wide variety of genres and sometimes for unusual combinations, such as his 1942 Concerto for coloratura soprano and orchestra. Now, it is most often performed on a standard harp, or as a reduction for two pianos made by the composer. The Gliere Harp Concerto has always been a favorite among harp enthusiasts; written in the 1930s, the work’s stylistic features are reminiscent of the Viennese classical style united with Russian romantic nationalism. 39 in E-flat Major: Majestic and Celebratory, Tchaikovsky's "Hymn of the Cherubim": A Celestial Meditation, "Siegfried's Death and Funeral March": Klaus Tennstedt and the LPO, Live in 1988. Find album reviews, stream songs, credits and award information for Glière, Debussy, Mozart: Harp Concertos - Claire Jones on AllMusic - 2010 - Claire Jones is the official harpist to Prince… Liberamente capriccioso-Vivace 04. Harp Concerto: I. Allegro giusto 02. the Prince of Wales, Claire Jones. The pastel transparency of the writing both for harp and for strings suggests that in this sweet and stately piece Debussy wished to evoke the associations of the harp with the Classical world, especially that of ancient Greece, in the spirit perhaps of his friend Erik Satie’s Gymnopédies for piano, which he much admired, and of his own Chansons de Bilitis. composed harp concerto as he was driven there for a 2 1/2 hour rehearsal. This piece, inspired by an innovative update to one of the oldest instruments, evokes distant sounds of Ancient Greece and Rome, as well as Renaissance Spain where the cross-strung harp is believed to have originated. Debussy’s lyrical symphonic poem Prelude to the Afternoon of a Faun strikes an entirely different tone. Enter your email address to subscribe to The Listeners' Club and receive notifications of new posts by email. The standard harp… Be that as it may, it took European composers a long time to make good use of its wealth of expressive resources. The colourful music in this watershed work is inspired by a poem about the dreams and desires of a faun in the heat of the afternoon. In his free time, Timothy Judd enjoys working out with Richmond’s popular SEAL Team Physical Training program. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. It was commissioned in 1904 for a competition at the Brussels Conservatoire sponsored by the firm of Pleyel, though the first public performance was given by Madame L. Wurmser-Delcourt at a Colonne concert in Paris on 6 November 1904. His daughter, who was having composition lessons from Mozart, was a capable harp player—she played ‘magnifique’ according to Mozart’s letters. This is the Icelandic premiere of Higdon’s inventive and imaginative concerto… 2. Tracklist ----- 01. BOOKS & MUSIC. In 1904, Pleyel, the Parisian instrument manufacturing company, commissioned Claude Debussy to write a piece showcasing what they hoped to be a revolutionary new kind of harp. He was a student of Anastasia Jempelis, one of the earliest champions of the Suzuki method in the United States. The double-action harp in normal use, with its 47 strings, can only sound all the 81 chromatic notes of its compass of six and a half octaves by means of a complicated system of seven pedals that gave each string the possibility of sounding three different notes (its basic note, or the semitone or the whole tone above). It was composed very soon after the two Flute Concertos K 313 and 314 and the Andante in C major, K 315, which all date from about January or February 1778 and were written while Mozart was in Mannheim. The form is an almost symmetrical seven-section one, A-B-C-D-C-B-A, with a cadenza before the final appearance of A, so that it is more like an arch-form that unwinds from its mid-point. But four months later, he was complaining that he still hadn’t been paid for the work! The harpe chromatique, invented in 1894 by Pleyel’s director, Gustave Lyon, was a cross-string harp designed without need for foot pedals. The first dance, shrouded in solemn mystery,  dissolves into the gently lilting second dance, a waltz with its echoes of the Gymnopédies of Erik Satie. Stream songs including "Danse Sacrée et Danse Profane, L. 103: I. It winningly combines Mozart’s evergreen Flute And Harp Concerto with the veteran flautist William Bennett, Debussy’s Danse Sacree and Danse Profance, and Gliere’s Harp Concerto. All these features are summed up in Claude Debussy’s Danses pour Harpe et Orchestre à Cordes, which has become one of the most familiar orchestral works in the harpist’s repertoire. Danse Sacrée", "Danse … A passionate teacher, Mr. Judd has maintained a private violin studio in the Richmond area since 2002 and has been active coaching chamber music and numerous youth orchestra sectionals. Deux danses pour harpe et orchestre à cordes, L. … Save my name, email, and website in this browser for the next time I comment. At the same time, we float through the hazy, colorful dreamscape of Debussy’s parallel harmony. Written in the in early 20th century they were foundational in establishing the harp … Emma Debussy (Emma Bardac) Composer Time Period Comp. If … This album highlights the extraordinary talent of the Official Harpist to H.R.H. 'Mozart's Flute and Harp Concerto is here given an unusually lively performance with Paul Watkins and the ECO … very well recorded to bring out the crispness of ensemble … the result is tuneful and passionate in the extended first movement, easily lyrical in the second. Period: Romantic: Piece Style Romantic: Instrumentation flute, viola, harp External Links Centre de documentation Claude Debussy Wikipedia … Of Belgian descent, but born in Kiev, Ukraine, Glière was a close co-eval of Rachmaninov, and became a pupil of Arensky, Taneyev and Ippolitov-Ivanov at the Moscow Conservatoire. Enjoy Mozart’s incredibly beautiful Flute and Harp Concerto and Beethoven’s bouncy and unexpected “Music for a Ballet on Horseback” paired with the French impressionist Debussy. 10:02 PREVIEW Andantino. While keeping himself out of the political limelight, Glière managed to prosper under the new regime, for whom his brand of colourful nationalism, romantic aspiration and classical form was pretty well the officially-approved idiom. He told a friend that it was the result of “eight days of dogged work and three sleepless nights.” The opening of the piece may remind you of Debussy’s Prelude to the Afternoon of a Faun (especially around the 0:30 mark). Music of Hovhaness ... Sky Music. It was only in the late 18th century that it began to be used in a more widespread way as a concert soloist, either on itsown or with other instruments. The formal development section is quite brief, leading to a full recapitulation, withspace for a cadenza, and a coda. She is joined by renowned flautist William Bennet OBE, and the English Chamber Orchestra to complete the release with Mozart’s Concerto for flute, harp and Orchestra and Debussy’s Danses pour Harpe Chromatique. Scintillation. Her latest album, Claire Jones: Harp Concertos (4 Stars) is recommended to all harp fans and to lovers of good tunes. In 1904, Pleyel, the Parisian instrument manufacturing company, commissioned Claude Debussy to write a piece showcasing what they hoped to be a revolutionary new kind of harp. Harp technique was not very far advanced in the late eighteenth century, and the instrument was often treated as a sort of plucked piano. 35 - Parish-Alvars: Concerto … By April, when this concerto was apparently written, he had moved to Paris, and the unusual combination of solo instruments was determined by the fact that it was a commission from the Comte de Guines, Adrien-Louis Bonnières de Souastre, a former French envoy to England, who was a keen amateur flautist. A native of Upstate New York, Timothy Judd has been a member of the Richmond Symphony violin section since 2001. Hyperion offers both CDs, and downloads in a number of formats. Scored for a comparatively small orchestra, the Harp Concerto could easily be performed by a chamber orchestra, which enhances its quality of charm and intimacy. A New Baroque. There aren't many concertos for harp and orchestra. Lyon’s harp aimed to do away with this cumbrous technique. STREAM EXCERPTS. Among the existing ones, some are well known and oft-played, such as those by Mozart, Debussy… There is in fact little in its idiom to tell the listener in which century it was composed, and virtually nothing that couldn’t have been written 50 years before its actual date. 4.0 out of 5 stars 2 ratings. The purpose of the work was to demonstrate the possibilities of the ‘chromatic harp’ which had been invented in 1897 by Gustave Lyon, the chief director of the firm, to whom Debussy’s work is dedicated. The harp is the ultimate romantic icon: the instrument of angels, and of Cupid, the god of love. Music for a Perfect Day. I hope Claire Jone’s excellent performance, with the English Chamber Orchestra under Paul Watkins, will bring its many merits to the attention of a wider audience' (Daily Mail). 1. Indeed, Mozart’s Concerto in C major for flute and harp, K 299 is best understood as the last of a group of concertante works that he wrote for the flute, all in a short space of time. Unfortunately, the new instrument did not find favour with harpists: the great number of strings that had to be attached to the soundingboard damped the instrument’s resonance and adversely affected its tone; it was also larger and much heavier than the standard harp and took much longer to tune. Cadenza, and a coda filled with sparkling innocence, playfulness, and sometimes an... Me, irresistible Allegro for harp, Flute, Clarinet and string orchestra for soft... The concerto, and joy Higdon ’ s shimmering and exotic Danse et. The checkbox to accept the defaults set your preferred options, or as a for! 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